Collaborative Pianist and Vocal Coach based in New York City.

The aria of the Male Chorus from Act 1 of Britten’s “The Rape of Lucretia:” “Tarquinius does not wait…”

Sesto’s Act 2 aria from La Clemenza di Tito.

From BWV 51, 1730

This accompaniment track was recorded on a Steinway baby grand piano, to best simulate the feeling of in-person collaboration.

from Three Browning Songs, op. 44, 1899

This accompaniment track was recorded on a Steinway baby grand piano, to best simulate the feeling of in-person collaboration.

Recorded in D Major

No. 5, “Junge Liebe I,” from 9 Lieder und Gesange, Op. 63, 1874

This accompaniment track was recorded on a Steinway baby grand piano, to best simulate the feeling of in-person collaboration.

Adriana’s aria from Act IV of Adriana Lecouvreur, 1902

This accompaniment track was recorded on a Steinway baby grand piano, to best simulate the feeling of in-person collaboration.